Thursday, May 28, 2009

Kentee Suone Pasek's Oil Painting a Day- "White Wild Rose"

“White Wild Rose”

Original Oil Painting on Canvas Board!
Gallery Wrapped Ready to Hang!
6x6 Inch
Painted 2009

FOR SALE on eBay ONLY!
Click here to bid!

Thank you so much for viewing my listing! For your consideration is this painting "White Wild Rose" original oil painting. It is 6x6 inches in size and the image wraps around the edges of the canvas board. There were many wild rose vines around our yard this spring. This painting was inspired by many collectors enjoying my rose series.

The Wild Roses were growing on vines all around our back yard. In fact our dog used to come in with wild roses stuck in his fur after playing around in the forest! The Wild Roses were amazing. I have always thought that white flowers were okay but not much color. My whole idea on white flowers changed this spring. These White Wild Roses were everywhere. They looked fantastic with the dark green background of the forest and these splotches of white.

For more information you can also go to www.kentee.com or email me at kenteepasek@yahoo.com.

Kentee Suone Pasek's Oil Painting a Day- "Azalea Pink Flower"



“Azalea Pink Flower”

Original Oil Painting on Canvas Board!
Gallery Wrapped Ready to Hang!
6x6 Inch
Painted 2009

FOR SALE on eBay ONLY

Click here to bid


Thank you so much for viewing my listing! For your consideration is this painting "Azalea Pink Flower" original oil painting. It is 6x6 inches in size and the image wraps around the edges of the canvas board. There were many azalea bushes around our home this spring. This painting was inspired by several collectors asking for the larger azalea flowers.

This painting has many different layers and the veins of the flowers can be seen with the details of this artwork. The flowering bushes were so beautiful this spring and I painting a whole series of the flowers.

For more work check out www.kentee.com as well.

Wednesday, May 27, 2009

Moving into artistic inspiration and getting unpacked!

Here we are at last! We have moved from Alabama to Colorado full time! Now it is time to unpack and paint. I am not sure how this will go but I know it will be fun and challenging. I am not sure in what box I will find my canvas but I do have my paints because they came in the art trailer with us! So here we go.... unpacking all that we need now here! Wow!

Wednesday, May 20, 2009

Oil Painting a Day pros and cons.... any answers?

As I get into "Oil Painting a Day" movement I find that there are some personal issues I am working out in this theory. I am trying to take a step back from painting to view my Oil Painting a Day painting from a new perspective. Sometimes when we are so deep into a project we can not see the results so I am now trying to view how I am doing in this new movement.

What is Oil Painting a Day you ask? The Oil Painting a Day is just that painting an original oil painting and finishing it in a day and then posting it to sell on eBay and blogging about it. The movement allows five to seven small original oil paintings to be produced every week. As I have been painting in this manner I feel the paint is easier to work with and flows better. I know that is because I am forcing myself into the studio to paint. I am also forcing myself to solve problems faster as I go along. This all comes down to the old equation that more time I am painting the better and easier it is. I also find if I am not careful I run into problems of QUALITY.

Problems of quality what is that you ask? It is the fact that by pushing to finish a piece of artwork it can lack the feeling of many layers, quality lines, and clear images as well as composition issues. I find that by doing these mini pieces of artwork I can end up rushing and I miss what makes my work the quality it is. I am concerned that the pieces with my signature on them are not as high quality as they could be if I took a little more time and relaxed and let the painting work itself out.

Now Painting a Day is still fantastic in my mind. My artwork improves with pushing it to new levels. I know I just need to be aware that those new levels and new paintings still have my personal signature quality, depth and each painting still has character. I also know that if I rush it too much and push the painting too much I will end up an impatient artist (which reminds me of myself in high school and I am not saying how many years ago or lifetimes ago that was!)

I think that Oil Painting a Day movement is great but I also think we as the artists need to take a look at what we are producing. It is just building up mass or a push to finish a painting to get it done or is it done right? I will still be an Oil Painting a Day artist. I have always had the ability to paint quickly and get my feelings down on the canvas. I am now aware on quality control and I am going to make sure that each painting I sign has my highest quality I can put on it!

For more of my work check out www.kentee.com!

Monday, May 18, 2009

Round 5: gallery wrap verses framing... Who will win??

In this round we will be going head to head with Gallery Wrap paintings verses Framing paintings. Now in this round this is only for Oils and Acrylics on canvas not any medium on paper such as watercolors, pen & ink, pencil, pastels.


Gallery wrapping is when the canvas wraps around the stretcher bars. For more info see Stretcher Bars verses Board. The painting wraps around and there is no need to frame. The no need to frame allows the painting to be ready to hang when you get home. It has less cost because framing is expensive. The painting also looks three dimensional. It is interesting because gallery wrapping appeals to a wider audience. It looks traditional because one still sees the artwork, it looks sleek and modern as well. This method of finishing a painting can work for many different uses. Gallery wrapping takes longer to paint in the studio and when my image wraps it is important to pay attention as an artist to the lines of the painting as well as the colors to make sure they wrap as well. All of a sudden painting on 2D becomes 3D and it takes a little more detail work to pull it off right.



Framing paintings are now not a must when one gallery wraps them instead. Now a painting can be gallery wrapped but you can also add a frame. The frames are really preference. The type of frame used does not really matter but it is more of a personal choice, look, style design, and statement for a room more than anything else. Framing can also be a regional preference. Growing up in Colorado wood frames are really the thing out there. The wood can be smooth, textured, stained, old barn wood, rugged but wood sold well. In Washington state (not DC) black frames with sharp edges especially metal sold well. In Cape Cod Massachusetts gold frames are all of the rage. They like small paintings in gold frames. Then in Florida during the show seasons gallery wrapped sold the best.

In this round the points for Gallery Wrapping go:
1 point for less cost, 1 point for 3D look, 1 point for wider audience

In this round the points for Framing are:
1 point for design style and look, 1 point for regional preference, 1 point for artistic statement.

So in this round they tie!
But as an artist I will continue to Gallery Wrap all of my paintings that way they are ready to hang on your wall when you get them. If you choose to frame them due to design style, look, regional preference or artistic statement then by all means please frame my art!!!

For more articles you can go to www.kentee.com!

Wednesday, May 13, 2009

Round 4: The Technical Art to Mailing Artwork the right way....

Today I wanted to post about "The Technical Art to Mailing Artwork the right way." This blog is what goes into mailing artwork so that the painting arrives in the best possible condition to you!

I have found a simple but effective solution to sending my paintings in the mail. Keep in mind that I do paint my oils on both canvas on stretchers and canvas on board. My method for prepairing artwork to be shipped is the same for both types of painting surfaces. For more about the differences of canvas on stretchers or canvas on board read below "Round 2".

The paintings are first wrapped in a plastic bag to protect them from shifting, rubbing and so on. (The plastic bag needs to be taken off ASAP when the painting arrives so the painting can breath. So please remember to unpack the artwork as soon as you receive your box.)

The painting then has four corners which I wrap in cardboard corner shields over the plastic bags. This protects the paint and the corners of the painting. The corners only are held on well when I wrap them with plastic movers wrap. A piece of cardboard is then placed on the front of the painting and (most of the time) on the back of the painting. This is then wrapped with the plastic movers wrap.

Voila! The painting is now ready for the box. This box needs to be larger than the painting and once the painting is inside the box padding such as popcorn (shipping popcorn not eating popcorn), newsprint, plastic or tissue paper is stuffed along side so the painting does not shift.

The box is then taped up after the invoice goes in. I always put an invoice into the box so that anyone can see where the package was supposed to go in case it does not make it there on the label on the outside. I then place the packing label on the outside and then the box and painting are ready to come to you!

By taking extra time and care with your painting I make sure it arrives to you in tip top shape. The shipping of art can really damage a great painting so it is extra important for me to send it the right way!

Take time to check out my website at www.kentee.com or my store at www.store.kentee.com. If you have any questions be sure to ask and I will help answer them! Thanks!

Friday, May 8, 2009

artistic organization

This is what my to go art bag looks like! I have all of my supplies, my canvas boards, brushes, paint in a to go bag where I can pick them up and go at any time. This is what I use to paint outside en plein air with my oil paints. Just wanted to show you!

Round 3: Best to paint in studio verses outside / en plein air? Who will win this round????

Is an artist a better artist if they paint in the studio or paint outside en plein air?

This is really the question of the ages. The old masters used to only paint in the studio adding thin layers of wash on the top of paintings then came along the rebels or the impressionistic painters and they took their paints outside and painted from what they saw. At this time colors went from browns, tans, creams to more clear colors of yellows, blues, oranges, reds and greens.

I could go on for days about the differences between these two movements but that is not the point of this round. The true questions: is it really better to paint inside or outside?

Inside the studio:
Painting inside has advantages because all of the tools, paints, canvas, lights, brushes are already set up and ready to go. At any time in the day or at night I can go into the studio and paint. The lighting used to be a problem but now with full spectrum lights that changes things and I get truer colors. We can set up props to paint and have them that way for a long time. The one thing is that you are inside and sometimes the creativity and the paintings seem to be stiffer. Scientifically it is hard to put a weight on creativity and fluid paintings and the feeling of the painting. As an artist I know these elements are crucial in making fantastic paintings. The colors can turn out quite nicely but it always seems to be better outside. The fumes are stronger even with fantastic ventilation.

Outside the studio:
Painting outside has the advantage that you are outside! Outside of the craziness of the studio and art office. You are listening to the birds, the dogs bark in the background, the feel of the breeze on your skin. It is a clearer place to paint. The colors seem a little clearer the subjects a little brighter. The fumes are less and the feeling is more. This has the problem of time. Time is of the essence outside. The time in picking up the brush and making a painting with the right light because that is always changing. Solving what is going on the canvas is harder because there is less time. Even with photographing what is seen and then going into the studio that changes the painting.

I really think does it make for a fantastic painting outside verses inside I really have had great results in both places. Does it make a better artist? Not really just different.

Results:
Inside: 1 point for organization of supplies, 1 point for being easy to do, 1 point for setting up props for a long time, 1 point for being able to paint any time of day or night, 1 point in consistent lighting.

Outside: 1 point for getting out of the craziness, 1 point for clearing your head, 1 point for the outdoor things such as wind, noises, smells, 1 point for less fumes, 1 point for colors being clearer, 1 point for the subjects being brighter.

So for this round inside gets 5 points and outside gets 6 points. It is close but the outside wins!

Keep in mind however a great painter can make great artwork inside or outside a studio! If one artist would rather paint in one place than another that artist can still produce great work.

Thursday, May 7, 2009

round 2: To paint on stretched canvas verses canvas board? Who will win?

This is a tough round for painters and collectors.

What is an oil painter to do? There are so many choices to make when choosing what to paint on. What is the difference of canvas on stretchers verses canvas on board? For this round we will be going head to head on the difference of painting on canvas on stretcher bars verses canvas on board.

Now there are many different types of canvas, many different types of stretcher bars and many different types of canvas on board. The actual types are not in this round in order to make a fair playing field I will talk about the canvas on stretchers as a whole unit verses canvas on board.

Canvas on stretchers or stretcher bars for those who do not know is basically four pieces of wood which have been kiln dried and fit together to make a frame. There is a hole in the middle of these four bars. The canvas is then taken on and pulled and stapled over the bars which makes it look like as one of my collectors stated very nicely "like a shoe box". It is wrapped around the edges.

Canvas on stretchers is great because canvas is a material and can dry rot if air does not get all around it. It needs to breath because it is a natural fabric. This stretch canvas does last a very long time. The one downfall to this technique is that the corners always seem to show some wear after a while especially for those of us who take work to art shows and are always putting it up and taking it down. It seems like the corners and the edges are always where I am touching the painting back up. When shipping it I have to wrap the corners in cardboard corners to make sure that is area does not chip during shipping. These do not need frames if the painting is "gallery wrapped" (that means the staples are in the back and not the side of the bars.) and the painting has been painted around the edges. They do need frames if the staples show when you hang it up or if not painted or if you want to for the look of it.

Canvas on board is great because it does not have this 'corner problem' and is so much easier to ship. These boards may however warp a little over time especially in high humidity. (Yes here I go again about humidity see round 1 for more!) The canvas on boards also need frames. They are hard to hand without frames. These boards are super easy to have on hand no storage needed. They are also easy to take on and outside trip to paint on.

So for this round we will sum it up:
Canvas on stretchers: 1 point for lasting (proven by the masters), 1 point for gallery wrap, 1 point for looking "like a shoe box", 1 point for being easy to hang

Canvas on board: 1 point for shipping, 1 point for no corner problem, 1 point for easy to have to store, 1 point the easiest to use when going outside to paint.

Wow! Now it really looks like they are tied! I did not realize it until I wrote this article today! Painting on either has its advantages and disadvantages. It looks like it is what ever the painter and collector prefer.

Wednesday, May 6, 2009

round 1: humidity verses an oil painter artist! Who will win???

There are many days as an artist it feels like the humidity is against everything I try to do. The high humidity levels can alter how long it takes to paint a painting. In the case where I paint 10-20 layers of paint on a painting and let each layer dry that is a battle in itself. In the case where I am painting an oil painting a day for that painting to dry to be able to post on eBay is a battle. How can I win this battle? I am not sure.

The humidity can really take a painting forever to dry. When it is super humid I mean FOREVER!!!!!

I had one person at an art show say that I needed a dehumidifier. Super idea but it does not work as well as the theory. I have tried it. A dehumidifier can only go so far. For the most part AC does exactly the same thing in terms of dehumidifying as an actual dehumidifier does. When the air is humid is it tough to get these oils to dry no matter what we do as artists. I have fans on my wet work 24 hours a day. I have added heat and more air. I have put them in as dry of rooms as exist but the humidity still is against me.

So where does this take us? When the air is dry it is our friend and when the super soggy moisture comes up from the Gulf we really take a hit. For this round I think the humidity gets a point and the artist has to take one for the team. I guess we just have to wait for the paintings to dry!!!

Tuesday, May 5, 2009

SOLD pansy oil painting a day original 8x8 on board

Yellow Pansy
Oil Painting a Day
by Kentee Suone Pasek
8x8
Original on Canvas Board
SOLD!


Here is the latest posted on eBay a pansy oil painting 8x8. It is a great painting and is so much fun to look at! I am growing this flower this spring in a container garden I started on the back deck where I paint. It is full of life and overlooks the forest. If you look at the photos below of where my favorite places to paint is that is the deck where this flower lives. I love the pansy with the unique look and the petals. The great part about this flower is that it lives in any climate in the US where we have lived. I can grow it in the mountains of Colorado, on the Cape Cod in New England, in Florida both in the Gulf Coast and Jacksonville as well as in Alabama. It is a fantastic summer flower and is known all the United States as a great winter flower in the south and a super spring summer flower in the north! Love It!

Monday, May 4, 2009

SOLD magnolia bloom tree flower original oil painting a day by kentee suone pasek


8x10 original oil painting on board
magnolia bloom tree flower
by kentee suone pasek
SOLD!
Here is a fantastic oil painting of a magnolia bloom. Right now the magnolias are outside my window blooming. They just started from this season. I was inspired to paint this because I can not keep my Magnolia Bloom original oil painting giclees in stock.

SOLD Original oil painting seascape cape cod morning with chair and ocean


16x20 Original Oil Painting
Kentee Suone Pasek
Seascape Oil Painting a Day
Cape Cod
SOLD

Here is the beautiful seascape cape cod morning painting. The sea grass brings you into the sand. The fog has just lifted and it feels like you should walk to that chair with a hot cup of coffee and watch the day begin.

Saturday, May 2, 2009

Paintings that have sold this week!

This has been a great week for art. There has been a lot going on and here is what has sold: There are two commission giclee 30x30 paintings. One hibiscus with a black background and one with a green background. There was a special 20x20 yellow hibiscus this week as well. On eBay there was the series of red poppy flowers which sold 3 of the 5. There are still two available on eBay now! Get them while they are still there. The fruit painting sold of an apple and two oranges. The set of Gerber Daisy Flower paintings also sold!

At the May Extravaganza I went to help out behind the doors and do what was needed but instead I found myself behind a table with all of my giclees and originals around me selling my artwork. I have not even began to look at the inventory sales for the day. I had a fantastic time and really enjoyed being a part of the event. I was super glad to do it but it was totally different than what was planned. It was fun and busy with great people. After the event we helped out as we could and as I was ready to close up the table was told to keep it up until tomorrow. What a great day!

"Strawberry 2" fruit food painting a day


"Strawberry 2"
original oil painting on canvas stretchers
6x6 size
Click here to bid

This the second painting of an original oil painting on canvas stretchers is of my fruit series. I have two strawberry paintings which I painted in a series. My daughter was eating this out on the deck one afternoon and so I painted these two!
These painting look great together and were painted together!
Enjoy!

Friday, May 1, 2009

"Strawberry 1" fruit food oil painting a day 6x6


"Strawberry 1"
original oil painting on canvas stretchers
6x6 size
on eBay
This original oil painting on canvas stretchers is of my fruit series. I have two strawberry paintings which I painted in a series. My daughter was eating this out on the deck one afternoon and so I painted these two!